
Good Afternoon, Good Evening, Good Night 2.0 (2021), which was represented by the 11th Seoul Mediacity Biennale , comprises an automated system that provides subscribers with information from all over the world that has been excluded from YouTube’s algorithm via the web platform destroy.codes. This latest artwork is a “bug report” that critically reviews and corrects errors of existing works, which imagined a world without control through images liberated from monopoly and ownership. In so doing, information related to anonymous footage collected in the recent past is reproduced using a generative algorithm, a “manifesto” calling for hard-working and independence is revised and unclassified photo data is reorganized into a moving image.