We talked briefly began with a consideration of the “me too movement” that had occurred in the field of art and culture in South Korea. The artists intended to look into the individual existence positioned in “the social” that has accumulated for such a long time, and to observe what kind of choices they make, putting themselves under certain gazes in order to live as an individual being rather than as a human being in a general sense. The group project attempts to investigate the collective memories among related people and imagine possible relations that the existing connections could create through “the birth of an individual,” or the way in which an individual is born. This project is also a montage of the individual and social “body.” By observing bodies that are situated within a variety of relations, the artists have discovered existing relational “forces” and inquire into the possible relational “forces” based on these present relations. The repetitive, fragmented, dispersed, floating, converging and destructing body movements of the performers make a scene that represents the effort to search for possible future “languages.” They hope that this scene enables the audiences not to discover one (grand) narrative, but to uncover the old narratives of numerous individuals and to dream about the new narratives of themselves.
Play
2018. 09. 12. 16.00-16.40
2018. 09. 13. 16.00-16.40
2018. 09. 14. 16.00-16.40
2018. 09. 15. 16.00-16.40
