Implicity Anywhere
2018.09.19 –
2018.09.21
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
The 10th Seoul Mediacity Biennale Eu Zên Performance Implicity Anywhere. Artist: Yunkyung Hur. Inside and outside of Seoul Museum of Art. 2018. 09. 19. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
This event was an individual program within Agora – How to Live. The work is a performance viewed by moving audiences, composed of textual clues about the performance.These texts capture moments and landscapes from nature and the city around the art gallery, hiding what they describe. Based on these texts, performers’ movements are choreographed, and the text-inscribed lures remain as traces of the performance throughout the exhibition period, left in various paths within the art gallery.
