hearing

Jinjoo Kim

Jinjoo Kim, hearing, 2024. Single channel video, color, b&w, sound. 20 min. Camera: Hong Cheolki, Camera Assistant: Kim Jinseong, On-site assistant: Sea Jung Kwon, Featuring: Lim Seil. Commissioned by the 13th Seoul Mediacity pre-Biennale. Courtesy of the artist

In her reinterpretation of the Rim Dong Sik Collection from SeMA Art Archives, Jinjoo Kim delves into Rim Dong Sik's records and investigates the cyclical and receptive occurrence of creating art in nature, a concept which Rim actively pursued during his lifetime. Rediscovering various methods of listening and forms of resonances in Rim's artistic attitude via the archive, Kim develops a video essay based on experiences of the archive alongside newly created images associated with the archive, all encountered through a framework of “hearing.” Among the 1,300 records of the Rim's archive, Kim especially focuses on her inquiry on materials related to sound experiments and Zen(禪) philosophy dating from his stay in Hamburg in the 1980s, these materials compel her to reconsider the value of artistic practice by questioningㅡwhich is differentiates from distinguishing or erasing wounds (defects)ㅡthe possibility of exchange and dialogue in the process of cognition. The space and time of hearing are generated by overlapping Rim's archived images and Kim’s personal stories of engagement with the archive, which then converge with scenes from the SeMA Art Archives itself. Through this process, Kim traces the echoes of past memories and proposes a common site at the intersection of the archive and archiving as media.

Jinjoo Kim (b. 1981, Seoul)

Jinjoo Kim foregrounds aspects of ​​polarity, fragments, performative speech, memory and archives, using dialogue as her characteristic artistic attitude and primary tool. In addition to her solo exhibition Seismometers (Hapjungjigu, 2020), she has participated in group exhibitions such as A Future to Go, Kim Geuntae (Kim Geuntae Memorial Library Archives, 2021), SeMA Non-Western Project Gohyang (Seoul Museum of Art, 2019), 2021 DMZ Art & Peace Platform (2021) and the 5th Anyang Public Art Project (Anyang, 2016). Kim also participated in artist community ps's Listening Company (2009-2011), podcast Talking Art (2015-2017), study and research community Agrafa Society (2019-2021), and Seoul Museum of Art Everyone's Lab Coral (2021-2023) in the roles of curator, translator, editor, and moderator.

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This program offers daily screenings of 5 sessions on fixed schedule. You may reserve seats by registering at the link and selecting a screening date and session. Reservations for multiple sessions are allowed. Group reservations and selecting multiple days are not permitted.

Admission is free Please arrive at least 5 minutes before the screening time If you do not attend a registered screening without providing advance notice (contact@mediacityseoul.kr), penalties may be applied to future reservations

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