Event Modeling

Ziyang Wu, Mark Ramos

Ziyang Wu, Mark Ramos, Event Modeling, 2023. Screen recording of Interactive and live simulated online environment, 11 min 13 sec. Part of ARE YOU FOR REAL, a project by ifa - Institut für Auslandsbeziehungen. Courtesy of the artist

Pronouncing how our reality is being mediated and profoundly changed by digital technologies, Event Modeling consists of two works AI Fossil and #dump. Among the content pushed by his own social media algorithms, artist Ziyang Wu selected news and social events and fed their titles into the image generating Artificial Intelligence Dream fields 3D. For AI Fossil, the AI created 3D models from those texts, as if fossilizing the filter-bubble reality Wu lives in. In a post-apocalyptic factory scene, visitors can approach the scattered AI fossils to trigger pop-up banners of the original sources and event titles. The work reveals how textual stories can be fragmented and re-interpreted into virtual objects of sarcasm, grandiosity, obscenity, and obscurity, as processed and apprehended by AI. Developed in collaboration with artist Mark Ramos, #dump is a live simulated online environment, based on the 3D models built for AI Fossil. Ramos and Wu tagged the 3D models with matching keywords from the book Keywords for Today: A 21st Century Vocabulary (Edited by The Keywords Project, Oxford University Press, 2018). Once these keywords are found in new tweets, in real time, #dump will dump the relevant 3D models into the virtual landscape of a salt mine. Hinting at activities of extraction and expansion, the 3D models will continue to ‘landfill’ the landscape, a metaphor of how digital technology will colonize every facet of our lives.

Ziyang Wu, Mark Ramos (Ziyang Wu b. 1990, Mark Ramos b. 1986, Hangzhou and New York)

Ziyang Wu is currently teaching at the School of Intermedia Art at the China Academy of Art, and is a former member of NEW INC at the New Museum. He has exhibited internationally, including ICA Philadelphia, Rhizome at the New Museum, Walker Art Center, Rochester Art Center, SXSW, Art Dubai, HeK Basel, M+ Museum, UCCA Center for Contemporary Art, Today Art Museum, Song Art Museum, How Art Museum and K11 Museum. His recent fellowships and residencies include the shortlist of Future Generation Art Prize; The Randall Chair award at Alfred University; Kai Wu Interdisciplinary Studio residency at Guangdong Times Museum; AACYF Top 30 under 30; Residency Unlimited; MacDowell Fellowship; Winner of The ROCI Road to Peace by Robert Rauschenberg Art Foundation.

Mark Ramos makes fragile post-colonial technology using web/software programming, physical computing (using computers to sense and react to the physical world), and digital sculpture/fabrication to create interactive work that facilitate encounters with our own uncertain digital futures. Mark is deeply committed to the ethos of open source: the free sharing of information and data + creative uses of technology. Mark has exhibited his work and lectured widely both online and AFK including as part of Rhizome's First Look: New Art Online with the New Museum of Contemporary Art in NYC, Yerba Buena Center for the Arts in San Francisco, Long March Space in Beijing, M+ Museum in Hong Kong, HeK-Basel, Switzerland (Haus der Elektronischen Künste), Arebyte Gallery in London, and at the Peter Weibel Institute for Digital Culture in Vienna.

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This program offers daily screenings of 5 sessions on fixed schedule. You may reserve seats by registering at the link and selecting a screening date and session. Reservations for multiple sessions are allowed. Group reservations and selecting multiple days are not permitted.

Admission is free Please arrive at least 5 minutes before the screening time If you do not attend a registered screening without providing advance notice (contact@mediacityseoul.kr), penalties may be applied to future reservations

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