Ritual in Transfigured Time

Maya Deren

Maya Deren, Ritual in Transfigured Time, 1946. 16mm transferred to digital, 15 min. Courtesy of Re:Voir Paris and Tavia Ito on behalf of Estate of Maya Deren

By her fourth film, the pioneering director Maya Deren felt special attention should be given to the unique possibilities of cinema to express time, and that the form should be ritualistic. This 1946 experimental silent short uses vanguard strategies such as freeze framing and slow motion to capture the essence of dance on film, at the same time explores the fear of rejection and the freedom of expression in abandoning ritual.

Maya Deren (1917–1961)

Maya Daren was an influential American experimental filmmaker, choreographer, and theorist, known for her pioneering work in avant-garde cinema. She emigrated with her family to the United States in 1922. Deren began her artistic career in dance and choreography, which deeply influenced her cinematic style. Her first and most famous film, Meshes of the Afternoon (1943), co-directed with Alexander Hammid, is celebrated for its innovative use of dream imagery and non-linear narrative, making it a cornerstone of experimental film. Deren’s subsequent works, including At Land (1944), A Study in Choreography for Camera (1945), and Ritual in Transfigured Time (1946), further developed her exploration of the relationship between movement, time, and space. She was also a significant advocate of independent filmmaking, establishing the Creative Film Foundation in 1954 to support emerging filmmakers. Throughout her career, Deren’s contributions to film theory and her visionary approach to cinema earned her recognition as a key figure in the history of avant-garde film.

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