Credit

2018
Yangachi, Credit, 2018. various materials, Yangachi. dimensions variable. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Yangachi, Credit, 2018. various materials, Yangachi. dimensions variable. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Yangachi, Credit, 2018. various materials, Yangachi. dimensions variable. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Yangachi, Credit, 2018. various materials, Yangachi. dimensions variable. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Yangachi, Credit, 2018. various materials, Yangachi. dimensions variable. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)

Credit consists of several periods of projects, not among acquaintances but among unspecified mass audiences. The artist thinks that limitations to reciprocal or utilitarian altruism cannot be helped in today’s society. The project encourages the audiences to have a discussion on a possible society or community in which its members share common-pool-resources and individuals can simultaneously receive benefits—in other words, a “certain” advanced form of altruism, or credit. Yangachi established a conversational situation to provide the audience with an opportunity to determine the ways in which the present specifically harbors living processes that are regarded as merely functional and inhumane and to imagine a media-based future.

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The screen is worth protecting. Or create the value of protecting the screen.