
Credit consists of several periods of projects, not among acquaintances but among unspecified mass audiences. The artist thinks that limitations to reciprocal or utilitarian altruism cannot be helped in today’s society. The project encourages the audiences to have a discussion on a possible society or community in which its members share common-pool-resources and individuals can simultaneously receive benefits—in other words, a “certain” advanced form of altruism, or credit. Yangachi established a conversational situation to provide the audience with an opportunity to determine the ways in which the present specifically harbors living processes that are regarded as merely functional and inhumane and to imagine a media-based future.