Choi Haneyl, Home-bideo #43, A picnic to Mediacity (2056, 9), 2018. various sizes of sculptures. 900 × 1200 × 285 cm. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Choi Haneyl, Home-bideo #43, A picnic to Mediacity (2056, 9), 2018. various sizes of sculptures. 900 × 1200 × 285 cm. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Choi Haneyl, Home-bideo #43, A picnic to Mediacity (2056, 9), 2018. various sizes of sculptures. 900 × 1200 × 285 cm. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Choi Haneyl, Home-bideo #43, A picnic to Mediacity (2056, 9), 2018. various sizes of sculptures. 900 × 1200 × 285 cm. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Choi Haneyl, Home-bideo #43, A picnic to Mediacity (2056, 9), 2018. various sizes of sculptures. 900 × 1200 × 285 cm. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Choi Haneyl, Home-bideo #43, A picnic to Mediacity (2056, 9), 2018. various sizes of sculptures. 900 × 1200 × 285 cm. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
Choi Haneyl poses a question on the conflicts in the aesthetic experiences of family members visiting museums by making a contrast between children’s strong tactile desires and the museums’ ban on touching any artworks. Based on this query, the artist presents an interior sculpture playground that does not prohibit a child’s desire to touch, or the “touch screen” instinct. Artist hopes that this space will function as both a playground for children and a resting area for parents.
