sun_set pro_vision

2020–2021
Yuri Pattison, sun_set pro_vision, 2020–2021. game engine software (Vulkan), modified Dell PowerEdge R620s, GeForce GTX 1650 GPUs, uRADMonitor MODEL A3 atmospheric monitor, LED matrix screen, slotted angle, cables. 192 × 270 × 75 cm. Coproduction of the 11th Seoul Mediacity Biennale and Douglas Hyde Gallery, Dublin. Courtesy of the artist and mother’s tankstation limited, Dublin/London. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021
Yuri Pattison, sun_set pro_vision, 2020–2021. game engine software (Vulkan), modified Dell PowerEdge R620s, GeForce GTX 1650 GPUs, uRADMonitor MODEL A3 atmospheric monitor, LED matrix screen, slotted angle, cables. 192 × 270 × 75 cm. Coproduction of the 11th Seoul Mediacity Biennale and Douglas Hyde Gallery, Dublin. Courtesy of the artist and mother’s tankstation limited, Dublin/London. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021
Yuri Pattison, sun_set pro_vision, 2020–2021. game engine software (Vulkan), modified Dell PowerEdge R620s, GeForce GTX 1650 GPUs, uRADMonitor MODEL A3 atmospheric monitor, LED matrix screen, slotted angle, cables. 192 × 270 × 75 cm. Coproduction of the 11th Seoul Mediacity Biennale and Douglas Hyde Gallery, Dublin. Courtesy of the artist and mother’s tankstation limited, Dublin/London. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021
Yuri Pattison, sun_set pro_vision, 2020–2021. game engine software (Vulkan), modified Dell PowerEdge R620s, GeForce GTX 1650 GPUs, uRADMonitor MODEL A3 atmospheric monitor, LED matrix screen, slotted angle, cables. 192 × 270 × 75 cm. Coproduction of the 11th Seoul Mediacity Biennale and Douglas Hyde Gallery, Dublin. Courtesy of the artist and mother’s tankstation limited, Dublin/London. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021

sun_set pro_vision brings together a sculptural juxtaposition of computer hardware, industrial fixtures, and two LED screens depicting a digitally rendered sunset and sunrise, showing the east and west views of the same scene. An environmental air quality monitor called the uRADMonitor measures the levels of pollution in the air and generates real-time data on carbon dioxide, microfine dust, temperature, air humidity, noise, and other pollutants, which feeds into the installation’s hardware. This data is then used to render constantly shifting simulations of a seascape and sun movements through a game engine. By presenting an unseen yet very real situation through such game-like visuals, this installation underscores the connection between the virtual world and our physical reality. The title of the piece refers to the legal provision known as the “sunset clause,” which specifies that a particular law will cease to have effect past a certain date, while also nodding to the practice of “sunsetting,” or the gradual phasing out of a software feature or website from service.

Today
|
Tomorrow
|
The screen is worth protecting. Or create the value of protecting the screen.