The future beneath

2018
factory collective, The future beneath, 2018. mixed media. 23 ㎡. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
factory collective, The future beneath, 2018. mixed media. 23 ㎡. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)
factory collective, The future beneath, 2018. mixed media. 23 ㎡. Commissioned by the 10th Seoul Mediacity Biennale. Courtesy of the artist. The 10th Seoul Mediacity Biennale Eu Zên. Seoul Musuem of Art. 2018. Photo: studio SUJIKSUPYUNG (Yoo Yonggi+Hong Choelki)

The future beneath is largely comprised of research, exhibition, and programs. The first is a research and exhibition; it is a record of observations of the organic lives of germs (the source of “fermentation”) and human beings. The second is a performance that involves observing and eating cultured mushrooms or germs such as yeast that were grown on-site together with the audiences, ultimately collapsing the border between the organic and the inorganic. And finally, the collective has invited Myriagon, organized by curator Jenni Nurmenniemi and artist Tuomas Aleksander Laitinen who has constantly worked on “art & ecology” projects, to hold a lecture performance on “the good lives of diverse species” titled Myriagon 1: Word Worlds. Through this lecture performance, participants can inquire into the diverse layers of the organic and inorganic lives in our environment, including human life, and explore different manners of symbiotic living amid its interlaced complexity.

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The screen is worth protecting. Or create the value of protecting the screen.