Time Laughs Back at You Like a Sunken Ship

2012
Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012. single-channel video (Super 8mm film transferred, HD). 9 min 31 sec. Courtesy of the aritst and artSümer, Istanbul; Hunt Kastner, Prague; Gypsum Gallery, Cairo. SeMA Biennale Mediacity Seoul 2014 Ghosts, Spies, and Grandmothers. Seoul Museum of Art. 2014
Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012. single-channel video (Super 8mm film transferred, HD). 9 min 31 sec. Courtesy of the aritst and artSümer, Istanbul; Hunt Kastner, Prague; Gypsum Gallery, Cairo. SeMA Biennale Mediacity Seoul 2014 Ghosts, Spies, and Grandmothers. Seoul Museum of Art. 2014
Basim Magdy, Time Laughs Back at You Like a Sunken Ship, 2012. single-channel video (Super 8mm film transferred, HD). 9 min 31 sec. Courtesy of the aritst and artSümer, Istanbul; Hunt Kastner, Prague; Gypsum Gallery, Cairo. SeMA Biennale Mediacity Seoul 2014 Ghosts, Spies, and Grandmothers. Seoul Museum of Art. 2014

An enclosed environment of isolated preservation is the setting. A man sits with his mysterious reflective device. What he sees through its eyeholes resembles what is reflected on its surface. The man waits for something to happen. A ship dances on the horizon. Intricate ancient ruins and monuments intertwine with failed modern societies. Light leaks through the camera and onto the film, creating a sense of poetic unexpectedness. The protagonist is restless, stands up and walks around in circles. The soundtrack becomes more intense. Nothing happens. He sits down again as night starts falling.

In Time Laughs Back at You Like a Sunken Ship, time passes in its own shadow as reality and its representation merge. It lingers quietly in ancient ruins like a dancing ship on the horizon. Eventually, it consumes itself in its own darkness as tree branches swing back and forth. [Basim Magdy]

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