OoH

2021
TASTEHOUSE × WORKS, OoH, 2021. media canvas, banners, T-shirts graphic, digital image and video on website. dimensions variable. Supported by the 11th Seoul Mediacity Biennale. Courtesy of the artist. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021
TASTEHOUSE × WORKS, OoH, 2021. media canvas, banners, T-shirts graphic, digital image and video on website. dimensions variable. Supported by the 11th Seoul Mediacity Biennale. Courtesy of the artist. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021
TASTEHOUSE × WORKS, OoH, 2021. media canvas, banners, T-shirts graphic, digital image and video on website. dimensions variable. Supported by the 11th Seoul Mediacity Biennale. Courtesy of the artist. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021
TASTEHOUSE × WORKS, OoH, 2021. media canvas, banners, T-shirts graphic, digital image and video on website. dimensions variable. Supported by the 11th Seoul Mediacity Biennale. Courtesy of the artist. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021
TASTEHOUSE × WORKS, OoH, 2021. media canvas, banners, T-shirts graphic, digital image and video on website. dimensions variable. Supported by the 11th Seoul Mediacity Biennale. Courtesy of the artist. The 11th Seoul Mediacity Biennale One Escape at a Time. Seoul Museum of Art. 2021

OoH is a playful and multifaceted collaborative project between the curatorial initiative TASTEHOUSE (established in Seoul in 2016) and the graphic design duo WORKS (established in Seoul in 2012). The acronym OOH stands for “out-of-home,” an industry term for outdoor advertising. OoH pokes fun at the arbitrariness of the visual language and rhetoric of these campaigns, while also examining the value system of today’s hyperconsumerist culture. Unfolding across multiple physical and digital platforms of varying sizes—including banners installed on the facade of the museum and in its vicinity, as well as printed graphics on the uniforms of the exhibition invigilators—each iteration is a 1:1 section of a 270-meter-wide digital image featured on the media facade of K-Pop Square Media, with the cropping of the section corresponding directly to the dimensions of the intended support.

Today
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Tomorrow
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The screen is worth protecting. Or create the value of protecting the screen.