The Sleep

2015
Yang Ah Ham, The Sleep, 2015. two-channel video (color, sound, stereo). 8 min 40 sec. Producers: Chong-Kyu Kim, Jae-Hong Kim. Supported by Mondriaan Fund; Goethe-Institut, Korea; Korea Artist Prize Promotion Fund from SBS Foundation and National Museum of Modern and Contemporary Art, Korea. Courtesy of the artist and Seoul Museum of Art. Collection of Seoul Museum of Art. SeMA Biennale Mediacity 2016 NERIRI KIRURU HARARA. Seoul Museum of Art. 2016. Photo: Gim Ik Hyun, Hong Cheolki
Yang Ah Ham, The Sleep, 2015. two-channel video (color, sound, stereo). 8 min 40 sec. Producers: Chong-Kyu Kim, Jae-Hong Kim. Supported by Mondriaan Fund; Goethe-Institut, Korea; Korea Artist Prize Promotion Fund from SBS Foundation and National Museum of Modern and Contemporary Art, Korea. Courtesy of the artist and Seoul Museum of Art. Collection of Seoul Museum of Art. SeMA Biennale Mediacity 2016 NERIRI KIRURU HARARA. Seoul Museum of Art. 2016. Photo: Gim Ik Hyun, Hong Cheolki
Yang Ah Ham, The Sleep, 2015. two-channel video (color, sound). 8 min 40 sec. Producers: Chong-Kyu Kim, Jae-Hong Kim. Supported by Mondriaan Fund; Goethe-Institut, Korea; Korea Artist Prize Promotion Fund from SBS Foundation and National Museum of Modern and Contemporary Art, Korea. Courtesy of the artist and Seoul Museum of Art. Collection of Seoul Museum of Art. The 13th Seoul Mediacity pre-Biennale STATION - IMAGE COMMUNITY. SeMA Bunker. 2024

Gymnasiums are designed to be used for social welfare purposes—namely, to promote health—but in times of disaster or crisis, they often become temporary shelters. In this artwork, gymnasiums symbolize the social system in which we live today and bodies represent people as social beings. The artist created this work “to make an abstract portrait of a tragic event engraved in our memories within Korean society and to show the reality that can be achieved within the process of abstracting it .” Here, some people sleep on black mats arranged haphazardly on the floor of the gymnasium while others sleep sitting upright on chairs next to them, alongside those who have not fallen asleep, all portraying the fears and anxieties of society and groups of individuals.

Today
|
Tomorrow
|
The screen is worth protecting. Or create the value of protecting the screen.