Agustina Woodgate’s practice focuses on the politics of landscapes and infrastructure as a conceptual and public geography. Her work comes about through a logical process of discovery, utilizing displacement as a strategy, and the objects that structure our access to land, time, and resources as raw materials. Woodgates’s approach is speculative, practical, and site and context-responsive, presenting critical possibilities to concepts on social orders, resource management and information distribution bringing clarity, scale, and accessibility. Her work has been included in BIENALSUR, Buenos Aires (2021); Whitney Biennial, Whitney Museum of American Art, New York (2019); IX Berlin Biennale, Berlin (2016); IV Istanbul Design Biennial, Istanbul (2018); Bienal de las Américas, Denver (2015); PlayPublik, Krakow (2014); Peabody Essex Museum, Salem (2018); DC Commission on the Arts and Humanities, Washington D.C. (2014); The Bass Museum of Art, Miami (2013); Art in Public Places, Miami; and KW Institute for Contemporary Art, Berlin (2012); among others.
