Slope: Intercept

2016
Sara Hendren, Slope: Intercept, 2016. mixed media. dimensions variable. Production Design: Giho Yang. Commissioned by SeMA Biennale Mediacity Seoul 2016. Courtesy of the artist. SeMA Biennale Mediacity Seoul 2016 NERIRI KIRURU HARARA. Seoul Museum of Art Courtyard. 2016. Photo Courtesy of Artist
Sara Hendren, Slope: Intercept, 2016. mixed media. dimensions variable. Production Design: Giho Yang. Commissioned by SeMA Biennale Mediacity Seoul 2016. Courtesy of the artist. SeMA Biennale Mediacity Seoul 2016 NERIRI KIRURU HARARA. Seoul Museum of Art Courtyard. 2016. Photo Courtesy of Artist
Sara Hendren, Slope: Intercept, 2016. mixed media. dimensions variable. Production Design: Giho Yang. Commissioned by SeMA Biennale Mediacity Seoul 2016. Courtesy of the artist. SeMA Biennale Mediacity Seoul 2016 NERIRI KIRURU HARARA. Seoul Museum of Art Courtyard. 2016. Photo Courtesy of Artist

Sara Hendren’s design projects reconsider the concept of disability and make more active forms of aid possible. Hendren redesigned the existing passive wheelchair icon into one showing a more active and independent image of a person with head pointing forward, arms swung back, and a wheelchair appearing to be in motion. In Slope: Intercept, a ramp is installed on the front plaza of Seoul Museum of Art’s Seosomun Main Building. Visitors must pass this plaza to reach the hall’s entrance. When a ramp is used by a wheelchair user, it is seen as a tool to overcome passivity, but when used by a skateboarder, it is transformed into equipment for dynamic play. Slope: Intercept not only ensures accessibility for wheelchair users, but also, like skateboarders, evokes an active, fun, and dynamic image. A different version of this work is also installed in the Outdoor Sculpture Park of the Buk-Seoul Museum of Art.

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