Sofía Dourron is an independent curator, researcher and writer based in Buenos Aires. Her recent projects include: Myths of the Near Future (Asia Culture Center, Gwangju, 2020; Parque de la Memoria, Buenos Aires, 2022), Museum of Hope and Expectation of Life on Earth (Museo Castagnino+Macro, Rosario, 2022), Oceanica, by Nicolás Mastracchio (Móvil, Buenos Aires, 2022), After Nature (arteba, Buenos Aires, 2022), Caudal, by Joaquín Boz (Barro, Buenos Aires, 2022), Temporada Fulgor. Foto Estudio Luisita (Malba, Buenos Aires, 2021), Landscape with Bear (De Appel, Amsterdam, 2019), Untitled. Elba Bairon (Museo de Arte Moderno de Buenos Aires, Buenos Aires, 2017) and Avello: joven profesional multipropósito (Museo de Arte Moderno de Buenos Aires, Buenos Aires, 2017). She has contributed essays for publications on artists such as Belkis Ayón, Laura Códega, Ad Minoliti, Joaquín Boz, Dignora Pastorello, Juan del Prete, Jorge Lezama, Edgardo Vigo, Hernán Soriano and Marta Minujín, amongst others. Dourron was a part of La Ene, Nuevo Museo Energía de Arte Contemporáneo (2015-2018), was Curator at the Museo de Arte Moderno de Buenos Aires. She was a participant in the De Appel Curatorial Programme in 2018 / 2019 as well as served as an International Research Fellow at the National Museum of Modern and Contemporary Art of Korea in 2019. She is a part-time faculty member at the Universidad Nacional de San Martín and Universidad Torcuato Di Tella in Buenos Aires.
SMB12 THIS TOO, IS A MAP (2023), SMB12 pre-Biennale II TERRAINFORMING (2022) Associate Curator
SMB12 THIS TOO, IS A MAP, AN ANTHOLOGY (2023) Editor, Contributor
