Park Hyunki

Park Hyunki pioneered a new horizon of Korean video art with the concept of incorporating Eastern spiritual culture into visual representations using existing technology. After graduating from university in the 1960s, he has participated in a modern art movement centered on new media such as video, happenings and performances with his colleagues in the city of Daegu. In 1974, Park began working with video in earnest after viewing Nam June Paik’s seminal work Global Groove (1973). His major works include Passing Through the City (1981), Media as a Conveyor (1982) and Epiphany (1997). He has supported the initiation of the 1st SEOUL in MEDIA 1988-2002 (1996) as well as participating in the media_city seoul 2000 city: Between 0 and 1 (2000).

SMB13 pre-Biennale STATION-IMAGE COMMUNITY (2024), SMB12 pre-Biennale Station (2022), SMB01 city: Between 0 and 1 (2000), SM01 1988-2002 (1996) Artist
SMB01 (2000) Curatorial Advisory Committee Member
SM02 (1998) Operation Committee Member
SM01 (1996) Operation Committee Member